Stilnovo, Tripod Floor Lamp

3 legs floor lamp by Stilnovo, 1950s, floor lamp, italian design, 50s, opaline glass, brass, sarfatti, lelii, arteluce, arredoluce

Stilnovo Tripod Floor Lamp is a sculptural lighting piece distinguished by its architectural presence and balanced proportions, embodying the disciplined elegance that defined Italian lighting in the post-war years. Elevated on a slender three-legged metal frame, the lamp conveys structural clarity while maintaining a remarkable sense of visual lightness, making it a refined example of […]

Max Ingrand, Pendant lamp mod. 2259/2

Pendant lamp mod. 2259/2 by Max Ingrand, Fontana Arte, 1960s

An elegant and architecturally composed work, this suspension lamp model 2259/2 reflects the refined vocabulary through which Max Ingrand contributed to defining the identity of Italian lighting in the postwar period. Designed for Fontana Arte during the 1960s, the piece embodies a balance between technical precision and poetic restraint — a hallmark of Ingrand’s direction […]

Stilnovo, Three-Light Pendant

Stilnovo Three-Light Pendant, 1950s, chandelier, italian design, 50s, opaline glass, brass, sarfatti, lelii, arteluce, arredoluce, pendants lamp

Designed by Stilnovo in the 1950s, this three-light pendant exemplifies the refined balance of geometry and materiality that defined the company’s post-war aesthetic. The interplay between its suspended opaline glass volumes, white-lacquered metal elements, and polished brass accents reflects the sculptural clarity characteristic of Italian mid-century lighting design. Crafted in brass, white-lacquered metal, and opaline […]

Gino Sarfatti, Floor lamp mod. 1073/3

Floor lamp mod. 1073/3 by Gino Sarfatti, Arteluce, 1950s, italian design, gio ponti, metal, angelo lelii, arredoluce, stilnovo

A seminal example of postwar Italian lighting, the model 1073/3 reflects Gino Sarfatti’s rigorous approach to modular design and technical innovation at Arteluce. Conceived in 1956 as part of a system allowing one, two, or three elements, the composition demonstrates Sarfatti’s ability to transform industrial logic into refined spatial presence. Each slender chromed stem rises […]

Carlo Nason, LT328 Table Lamp

LT328 Table Lamp by Carlo Nason for Mazzega, 1970s, italian design, 70s, modular murano glass

Designed by Carlo Nason for Mazzega in the 1970s, the LT328 table lamp exemplifies the experimental approach to volume and light that characterized Venetian glass design during the decade. The model reflects Nason’s interest in modular construction and the perceptual transformation of form through layered transparency. The lamp is composed of four blown glass elements […]

Bruno Chiarini, Glass and brass chandelier

Glass and brass chandelier by Bruno Chiarini, 1950s, chandelier, italian design, 50s, opaline glass, brass, sarfatti, lelii, arteluce, arredoluce, pendants lamp

Produced by Bruno Chiarini in the 1950s, this chandelier reflects the refined material sensibility characteristic of early post-war Italian lighting. Its combination of opaline glass forms and finely treated brass embodies the elegant restraint and visual clarity associated with Milanese production of the period. Crafted in white opaline glass and fine gold–washed brass, the chandelier […]

Max Ingrand, Wall lamp mod. 1461

Wall lamp mod. 1461 by Max Ingrand, Fontana Arte, 1960s, applique, italian design, gio ponti, brass, glass

An elegant expression of postwar Italian lighting design, this wall lamp model 1461 reflects the refined visual language developed by Max Ingrand during his artistic direction at Fontana Arte. Produced in the 1960s, the piece embodies the company’s commitment to technical precision and sculptural clarity, where glass and metal are orchestrated into a composition of […]